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Braveheart
is one of those movies that I can watch at any time and love
it knowing full well it's not perfect. Still, it drums up
a primal sense that gets my blood flowing and my emotions
riled. I also picture myself writhing on a table being tortured
whenever I hear the word "freedom" now but that's
another story best left to the psychiatrist I'm not seeing.
With
a sweeping look, lots of emotion, a classic hero, occasionally
corny dialogue and forced romances, Braveheart is a
flawed classic.
The
film tells the legend of William Wallace (Mel Gibson), a Scotsman
whose family was killed under English tyranny. As he grows
from a wee lad into a strapping man, Wallace's haunted past
sets in motion a series of events that lead to full blown
war as the citizens of Scotland try to rid themselves of English
rule.
There
is little doubt about who the heroes are and who the villains
are. The heroes (the Scottish peasants and farmers) are overall
kind, the fight for their families and for freedom and they
know how to have a good time. The villains are all rich, stuffy
and cannot be trusted. And if that weren't enough, they get
first night privileges with the new Scottish brides. This
is important in the creation of William Wallace as a tragic
hero. Everything must be clear as far as right and wrong goes.
If he were fatally flawed, he couldn't be the legend and the
leader he becomes. Like old-time pro-wrestling, it also makes
it easy to cheer for the good guys and hiss (literally) at
the bad guys.
I
think a big part of why I feel so strongly about Braveheart
is because it drums up so much emotion. While I don't want
to meet a martyr's fate, the character of William Wallace
is a character I'd like to be. He has a vision of what his
people should expect, he knows how to lead, he is passionate.
With each of these traits comes temptation and challenges
that he rises to each and every time. The result is that I
want to be a William Wallace minus, maybe, the face paint.
But
for William Wallace to look strong, unfortunately, in Braveheart
most everyone else is made to look silly - particularly those
not on his side. Longshanks (Patrick McGoohan), the evil king
of England, is particularly surrounded by idiots. His son
is treated as a buffoon simply because he is a sissy and he's
gay. Apparently this was an era where only manly men could
do anything of any importance. There's also guards and henchmen
a plenty who are little more than cartoon characters in spiffy
period costumes.
Wallace's
passions are driven by love: for family, for his wife and
for his country. All are pulled into turmoil. Things get so
grim for him that one might even compare Wallace to the Biblical
character of Job who literally loses everything he has. However,
over the course of the film Wallace develops a relationship
with Princess Isabelle that is convenient to put it politely.
She exists largely as a plot device rather than to enhance
the overall film. Perhaps some of my disregard for her is
because Murron, his true love, is so much more important in
Wallace's motivation. If Murron is true love, Isabelle is
nothing more than an out-of-town floozy.
But
for every cartoon character there's a sweeping hillside vista,
an inspiring speech or a vicious battle scene to redeem it.
Gibson's William Wallace is one of the truly great characters
of modern cinema. As a result, even with its many glaring
flaws, Braveheart still stands out as a film worthy
of being dubbed as unforgettable.
DVD
Features
It's
about time. Braveheart finally gets some sort of special
edition that actually lives up to its billing. The two-disc
special collector's edition combines an excellent feature
presentation with a solid mix of extras.
The
battlefields and the fields of Scotland come alive with the
vivid widescreen picture and 5.1 Surround Sound. Both are
excellent and show the film in the best possible light. There's
also a 5.1 French track and a Spanish 2.0 stereo track, as
well as English, French and Spanish subtitles.
Star
and director Mel Gibson comes along for a commentary track
that is unfortunately very uninformative and boring. Somewhat
better is the 22-minute featurette "A Writer's Journey"
in which scribe Randall Wallace talks openly about how he
discovered the myth of William Wallace and how he came to
pen the script. "Alba gu Brath!" nicely documents
the making of the film. Divided into three parts, the running
time is 50 minutes and breaks the behind-the-scenes goings-ons
with great detail. My favourite feature is the featurette
"Tales of William Wallace." The 30-minute program
explores than man and the myth of Wallace. It compares him
to other folklore tales and weaves in and out of where the
truth lies and the myth emerges. Also included on the disc
are several archival interviews, a photo montage and a pair
of theatrical trailers, memorable for the shot of the flying
sword.
Buy
the DVD.
©Movie
Views; December 18, 2007
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