|
Ever
since she made her first appearance on the old Adam West Batman
television show, live-action incarnations of Catwoman have
been the things fetishes and dirty dreams are made of. First
it was Julie Newmar and Eartha Kitt in their tight-fitting
costumes and purring lines. Michelle Pfeiffer came next in
Batman Returns. Decked out in leather, she was more
a fantasy than a cat. Now it's Halle Berry's turn, taking
the fantasy to the next level. Strange thing is, a good chunk
of Pitof's Catwoman touches on feminist ideals that
are all but contradicted by a pair of skimpy leather pants.
Patience
Phillips (Berry) is a quiet gal stuck in a job that wasn't
what she had in mind while at art school. She's a cog in the
advertising machine for a big cosmetics company with a new
wonder cream coming down the pipeline. Patience plays an archetypical
librarian. Shy like a mouse, wearing big, frumpy clothes,
the world all but ignores her. Following a near-death experience,
Patience inherits an affinity for catnip and other feline
traits. She transforms into something both good and bad, starting
a new life doing exactly what one of her two personas wants
to do.
Catwoman
feels more like a television pilot than a feature. Tackling
both the origins of Catwoman, building up what her character
is like and framing it all around a dark corporate secret,
there's too much happening to be developed in a mere two hours.
Had it been spread over a miniseries or even over the course
of a season, there would have been the opportunity to flesh
out the many big ideas and story lines that are raised. Instead,
many surfaces are scratched and thrown together with bad puns
and bland action that feels like it exists just to get the
job done than to actually say something.
I've
got to say, there were some ideas in Catwoman that
piqued my interest. The main one was an ongoing theme of 'girl
power.' Through Patience's transformation into Catwoman, the
film conveys a message that women can do anything they want
regardless of how the men around them act and feel. It's encourages
a sense of independence, pride and self worth. Twenty years
ago the movie could have made quite the political splash.
However, there's also some contractions that take away a lot
of the argument's credibility. First off, there's the two
main casting choices. Berry is regarded as one of today's
most gorgeous actresses. She's a mainstay in the tabloids
and is photographed at every turn. Then there's Sharon Stone
who plays Laurel Hedare, the evil head of a costmetics company.
To this day she is remembered most for leg shift in Basic
Instinct that revealed a lack of knickers. With that one film,
she was vaulted to the forefront of Hollywood sexuality. Even
now, the sexual power Stone harnessed in Basic Instinct
sticks with her like a stigma.
To
further contradict the film's potential feminist crusade is
the S&M quality of the Catwoman costume. It's skimpy
black leather, teasing the imagination as to what lies beneath
the little material that is there. The costume merely highlights
the fantasy element that Halle Berry, leather and a whip conjure
up. So while there might have been one step forward for women's
lib, it was ultimately a horizontal one.
What
began as moderately interesting quickly evolved into the ridiculous
and embarrassing. I didn't know cats could jump around walls
let alone human cat-things. It reminded me of Scooby and Shaggy
racing through and across hallways and popping their heads
in doorways while being chased by a ghoul. There's so many
small things that build throughout the film that by the end
Catwoman is only a step above complete and utter embarrassment.
From corny lines, to bad cat puns to bad stunts, Catwoman
is akin to kitty litter on a hot summer Sunday afternoon.
©Movie
Views; August 4, 2004
Catwoman, if nothing else, had some incredibly sexy costumes. This year why not dream up shockingly sexy Halloween costumes that will get you noticed. Take a cue from Halle Berry and design the puurrrfect costumes based on the movie. The Batman series has kept America and the world entertained for decades and Catwoman is one of its most memorable characters.
|
|
 |
| Pitof |
 |
| John
D. Brancato |
| Michael
Ferris |
| John
Rogers |
 |
| Halle
Berry |
|
Sharon Stone |
| Benjamin
Bratt |
| Lambert
Wilson |
| Frances
Conroy |
 |
| 2004 |
 |
| USA |
 |
| 91
minutes |
| |
|