Let's
face it. Most kids love Christmas for the presents. As much
as we'd like to make them believe that it's all about the giving,
they prefer the toy fire truck or the Baby Wets Her Pants over
watching Dad open up yet another striped tie or seeing Mom shout
with glee over a diamond necklace. It's all about the ripping
open of the presents and reveling in seeing Santa demolish their
Christmas wish list just as fast as the remote control car crashes
once too many and heads off to the toy graveyard. Director Bob
Clark's A Christmas Story captures this sense unlike
no other holiday film I have seen.
It's
the 1940's and Ralphie (Peter Billingsley) is your typical
Little Orphan Annie-listening young lad. All he really wants
for Christmas this year is an official Red Rider B.B. gun.
Yet every time he tells an adult his dream gift he's greeted
with the same response, "You'll shoot your eye out."
A Christmas Story follows the lead up to Christmas, following
Ralphie, his family and his friends as they get ready for
yet another big December 25th. The film follows them to places
like the department store, a visit with Santa, evenings in
front of the radio and afternoons during the final days of
class before the holiday break. We're also taken into Ralphie's
imagination as he dreams of all the good he can do if he were
to get the gun and the horror of hearing the same phrase about
him shooting his peepers over and over again.
A
Christmas Story evokes a sense of genuine nostalgia. No
matter what era you've grown up in, chances that if you celebrate
Christmas you've experienced similar excitement and frustrations
as Ralphie. You probably also know similar people as those
he runs across everyday, whether it's the dad fawning over
a tacky prize and cussing over a broken furnace or a scary
looking and equally frightening bully or a younger sibling
that refuses to eat anything that isn't first made into playtime.
Sometimes nostalgia can hinder a film because the viewer can
get more caught up in the retro objects rather than the sense
of the film. The Wedding Singer comes to mind as such
an example. Although a cute film, much of the story is meant
to take the audience back to the 1980's by trying to cram
as many references from the decade into the film's narrative,
even if they have to be forced. Instead nostalgia worked in
A Christmas Story to take me back to a time when I
was young. It isn't formed in objects but rather a sense of
childhood innocence where mulling over the toy section in
the back of the Sears catalogue was an annual event. Once
there, Clark sustains the momentum by going through situations
I could relate to from my clouded memory.
The
title A Christmas Story is an ambiguous one that draws
on the fact that this is a typical Christmas experience for
one boy. Yet at the same time, it has grown into a classic
because it is such a near universal experience for those of
us who have grown up in increasingly commercial and less religiously
based Christmas seasons.
My
annual viewing of A Christmas Story is a love built
on humour, recognition and reflection of year's past. It never
fails to take me back to a place of welcomed innocence yet
it doesn't make me wish I were back there. And although I
enjoy the giving side of the season now, let's face it, adults
like to receive things too sometimes.
©Movie
Views; December 24, 2003
|
|
 |
| Bob
Clark |
 |
| Bob
Clark |
|
Leigh Brown |
 |
| Melinda
Dillon |
| Darren
McGavin |
| Peter
Billingsley |
| Ian
Petrella |
| Scott
Schwartz |
 |
| 1983 |
 |
| Canada/USA |
 |
| 94
minutes |
| |
|