Way
back when, a young boy was posed with a choice. One was going
to see what would go on to become a holiday classic; the other,
a corny flick starring a trendy pop culture icon the young boy
had a liking for from lunch meat commercials. The boy chose
Ernest Saves Christmas over Scrooged
starring Bill Murray. Oh, well. The thought at the time and
still the lasting memory was that this was the first time the
boy was given the choice of which movie he and his family was
going to watch. So no matter how good or bad Ernest might be,
the film will always have a sentimental place in a small nook
of his heart.
Ernest
P. Worrell (Jim Varney) is a loveable galoot. He drives a
taxi and acts as though he were a loveable man-child. That's
probably why Varney's character caught on with the kiddie
crowd and saw him star in some half-dozen Ernest movies over
the years. Don't let his somewhat gruff appearance fool you.
He's as innocent as a fluffy white bunny. He's essentially
the uncle who's constantly cracking bad jokes. That's why
you love him.
Santa
(Douglas Seale) is in town, trying to track down his replacement,
Joe Curruthers (Oliver Clark), a former kids show host who
has fallen on bad times. But who'd believe an old man who
approaches you and offers you a job based out of the North
Pole? Other than children who recognize Santa's trademark
eye twinkle, probably only Ernest. So Santa, Ernest and Harmony
(Noelle Parker), a young runaway who crossed paths with Ernest,
set out to convince Joe that the job offer is indeed the real
deal and that he must take over before Christmas Eve. That's
when the current Santa's magical power runs dry so if he can't
do it, Christmas as the Western world knows it will not come.
Ernest
Saves Christmas shares many similarities with Miracle
on 34th Street. In particular, both question the existence
of Santa Claus as a living, breathing biological being with
magical powers as opposed to a heart-warming myth that spurns
on commercialism in November and December. Ironically, in
the process of exploring this issue, both films are looking
to reveal the spirit of Christmas as a time of giving, sharing
and loving.
Ernest
Saves Christmas is an innocent enough film that will likely
appeal more to the children than their parents. The jokes
are best described as 'cute' as they often revolve around
Ernest's impersonations and little remarks directly into the
camera, or his best friend Vern as he sees it. At about the
same time that Ernest Saves Christmas was originally
released Pee Wee Herman was big with kids. Both him and Ernest
are frenetic types, filled with more energy than sense, but
that's okay because this is comedy at its lightest.
I
remember my fondness for the film being much greater some
number of years ago since this was the first flick of my choosing.
Although it meant missing Scrooged,
at the time I was thrilled with my decision. If nothing else,
this is a reminder for me that I was once young and movies
don't always have to be deep or artful to be enjoyable. Sometimes
all you need is fun and a short nostalgia fix.
©Movie
Views; December 14, 2003
|
|
 |
| John
R. Cherry III |
 |
| B.
Kline |
| Ed
Turner |
 |
| Jim
Varney |
|
Douglas Seale |
|
Oliver Clark |
|
Noelle Parker |
|
Gailard Sartain |
 |
| 1988 |
 |
| USA |
 |
| 95
minutes |
| |
|