Most
kids dream of following a treasure map in search of gold doubloons,
magical myths and long-dead pirates named for their physical
attributes. Heck, I wanted to be one of those pirates. Even
if somewhere deep down there was the knowledge inside me that
I was more likely to find a leprechaun prancing around a raspberry
bush in my suburban neighborhood than there would be finding
buried treasure in the empty lot next door, I held out hope.
Hope for a grand adventure, hope for untold fortunes, hope for
a parrot named Polly and a name that matched the colour of my
beard. I firmly believe this is a largely universal hope amongst
children all over the world because it ultimately stems from
the hope for adventure and something more. Perhaps this is why
I enjoy Richard Donner's The Goonies more than I probably
should and have it high in my personal canon of cinematic pleasures.
Released
during the height of my childhood, The Goonies is an
adventure tale of a small group of young boys who set out
on a treasure hunt. Standing over them is the very real threat
of seeing their posse split up because of high interest rates
that have put all of their families in dire straights. The
boys are a ragtag lot of stereotypes and simplistic characterizations.
Data (Jonathan Ke Quan) is an Asian gadget wiz, Chunk (Jeff
Cohen) is the overweight kid everybody makes fun of, Mouth
(Corey Feldman) lives up to his name, Brand (Josh Brolin)
is the jock and Mikey (Sean Astin) is the lovable kid whose
cheeks you can't help want to squeeze. Together they make
up the Goonies, an unofficial club who hang out together and
define the youth of their suburban Oregon neighborhood.
With
the accidental discovery of a treasure map, the Goonies set
out on a hint for the long-lost gold of a pirate named One-Eyed
Willy. Along for the ride are the Fratellis, a trio of wanted
criminals on the lamb from the law.
The
Goonies is full of shallow humor that panders to a young
audience. But with its universal search for adventure, the
film also taps into a broader audience as it "panders"
to almost everyone who was young and dreamed. I have fond
memories of the film from my youth, which may cloud my judgment
somewhat today, but something has to be said for a film that
I continue to watch over and over again.
There's
a genuine sense of wonderment that carries throughout the
film. Whether it's an organ that threatens death if the wrong
note is played, a wishing well that talks back to you or a
pirate ship, the surface of The Goonies is all about
a child's innocence and faith in the unlikely. But take a
look at the film's backdrop. Question why these children are
being forced from their homes. The Goonies exists as
comfort for those caught up in deeper situations that they
might want to be. The Goonies exists for the innocents
of the world.
In
1984 my mother was forced to walk away from our home because
of insane mortgage rates. It happened to thousands of others
as well around the world. This is the same situation that
is threatening to break up the Goonies team. Donner taps into
a very real problem from a specific period but he applies
universal dreams that work to keep The Goonies relevant
today for a new generation of children, young and old, who
are caught up in a world that still doesn't look out for its
innocents as much as it ought to.
©Movie
Views; June 14, 2006
|
|
 |
| Richard
Donner |
 |
| Chris
Columbus |
 |
| Sean
Astin |
| Josh
Brolin |
| Jeff
Cohen |
| Corey
Feldman |
| Kerri
Green |
 |
| 1985 |
 |
| USA |
 |
| 114
minutes |
| |
|