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Over
time, some things become so popular they transcend pop culture.
Star Trek, Star Wars, Harry Potter and The Rolling
Stones are just a few such examples. Another is Dr. Seuss'
How the Grinch Stole Christmas. It began as a book and
reach infamy as a Chuck Jones cartoon that is broadcast on
television year after year, showing no signs of ever being
taken off the air. Its popularity made it inevitable that
one day it was bound to become a movie. That day finally arrived
in 2000 as Opie Cunningham himself, Ron Howard brought the
grumpy green guy to the big screen with decidedly mixed results.
In fact, other than Jim Carrey's manic take on the title character
and the technical aspects surrounding him there's little else
to get behind the film.
As
the story goes, the Grinch lives a hermit's life high atop
Mt. Crump, just on the outskirts of Whoville. He peers and
sneers down on the Whos and their far too cheery demeanor,
especially in the days leading up to Christmas. So the Grinch
devises a plan to bring an end to their cheer by stopping
Christmas.
Taking
a short picture book and turning it into a feature-length
picture requires the addition of a lot of material. But with
Dr. Seuss' writing, the strength was as much the rhythm as
it was the zany content. In adding material, The Grinch
loses much of its rhythm and the heart within it shrinks three
sizes right along with it. The key to the story is that the
viewer has a love-hate relationship with the Grinch. Rather,
I felt sympathy from about the ten-minute mark onward, so
I didn't really care much for his emergence. Couple that with
the annoying, beaver-impersonating Whos and I was left cheering
for the wrong guy.
Early
on we're given the Grinch's back story - a childhood in which
he was mocked by his Who schoolmates for having ample green
hair. No wonder the Grinch is such an outcast. In the book
he works as a villain because his heart is two sizes too small.
There is no reason for his anger other than pure evil. While
I am generally a fan of giving a reason for what makes good
people go bad but Howard is taking a classic piece of literature
(yes, Dr. Seuss is classic literature) and messing with the
heart of it. In making the Whos bad during the Grinch's childhood,
it draws doubts as to whether or not they're good people when
they grow up. And because this comes from the Grinch's own
point of view, there's no balance to provide a good side to
the Whos - at least in his mind. So as a viewer, I had no
balance. It didn't help much that the present-day Whos were,
for the most part, equally annoying and mindless. If the Tusken
Raiders from Star Wars could speak English, they'd be cousins
to the Whos.
The
Grinch looks good. The set design is filled with bright,
swirling colours and the Whoville props and other toys feel
as though they're straight out of some carnie nightmare. It
makes for a frenetic feel amongst the town and shows good
imagination. Sure, a lot of it stems from the book's original
illustrations, but the look was a key to the film as Whoville
is somewhere not quite human and not quite alien. Unfortunately
Howard fails to put these designs to good use. Although happy
and colourful, it doesn't feel all that Christmas-like. I
had a hard time imagining what Whoville might look like the
rest of the year since Christmas is supposed to be such a
magical time complete with singing, Whotinkers and roast beast.
Carrey
is perfectly fit to play the Grinch. His rubber face and exaggerated
mannerisms bring life to the green suit and inches of make-up.
But the only way you can tell it is Carrey is from his over-the-top
actions and improvisational antics. The layers of make-up
on his face make his something closer to a cast memeber of
Cats rather than a human. The most amazing part about
it is that even though you can't make out a person's face,
the expressions are not hindered. Carrey sends his expressions
all around his mouth and up his cheeks. Even his eyes and
eyebrows have great flexibility.
What
it all adds up to is that I enjoyed watching the Grinch himself,
but he wasn't in it all the time. The Whos were far too numerous
and annoying to watch. I'm sorry but I like my Grinches to
be evil and my Whos friendly, not the other way around.
©Movie
Views; December 11, 2003
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|
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| Ron
Howard |
 |
| Jeffrey
Price |
| Peter
S. Seaman |
 |
| Jim
Carrey |
| Taylor
Momsen |
| Jeffrey
Tambor |
| Christine
Baranski |
| Molly
Shannon |
 |
| 2000 |
 |
| USA |
 |
| 104
minutes |
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