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Just
like the movies, life is made up of good people and bad people.
Only in real life it's not so simple. We're often put in both
roles because intentions and actions are two totally different
things. Guys, Girls and a Jerk, a far superior sequel
to Stephanie, Nathalie, Caroline and Vincent, puts the spotlight
on this often ugly nuance of life, exposing the awful truth
that sometimes our choices make us as bad as the baddest bad
guys.
Five
years after Stephanie, Nathalie, Caroline and Vincent, Vincent
(Simon Boisvert) returns as the lead character and all-around
jerk. He's opened his own dating service in hopes of making
a decent living and meeting some girls in the process. He's
got new friends and some old friends who've come back into
his life. If you've seen the first film, you know Vincent
is someone you feel okay hating. He's a shallow man with two
things on his mind: himself and sex. But the original contradicted
itself in that it tried to present some undeserved sympathy
for the guy. It was an awkward morality message that failed
more than it worked. This time Boisvert's script (he wore
both the producing and writing hats in addition to his acting)
gets it right. From the opening scene where he instigates
a one-night stand with a girl who could be summed up as an
innocent prude, you know Vincent is coming with his guns blazing
and he doesn't want any pity.
The
influence of Denys Arcand's The
Decline of the American Empire is apparent. Guys,
Girls and a Jerk revolves around dialogue that explores
relationships and how we maintain them. Boisvert has his ear
to the ground, providing good rhythm and lots of dark humour.
Pop culture references are tossed around here and there, that
while funny now, run the risk of seeming dated in a few years.
But then again, the literary reference about a certain boy
wizard that's sticking out in my mind right now is not going
to be lost any time soon.
Directed
by Diana Lewis (who also stars as Vincent's ex, Stephanie),
Guys, Girls and a Jerk is not concerned with fancy
shots. It is plainly shot but not in a way that draws attention
to itself or is distracting. It's simple, straight forward
and appropriate for something that was aiming at saying something.
And it was shot on a small budget, which limits the options
from the get go.
Although
the film never tries to be plot heavy, I still would have
liked a little more in the way of story. For the most part
it follows the daily grind of Vincent and his circle of friends,
but there's no real stakes involved that runs through the
entire movie. It wouldn't need much but something. It could
have been as simple as Vincent trying to raise a couple thousand
dollars to keep his business open. As it is, there are a lot
of characters vying for screen time and several of their personal
problems overlap. Had a couple of these characters been trimmed,
the spotlight could have been put on one central, grounded
problem that had to be solved with all the relationship stuff
stemming from it.
With
all of Vincent's scheming and ever-growing harem of ladies
to deal with, matters are bound to get ugly. And when they
do, Vincent is the most definitely the jerk but many are implicated
on accord of their own freewill. Their actions hurt their
loved ones just as much, if not more, than Vincent's. He's
seen by everyone as a something less than kind to begin with.
Vincent might embellish his virtues and lie and blackmail,
but he never forces anyone to do anything. Choice is involved.
And when we choose, we have to be ready to accept the consequences.
This
level of commentary is what was missing from Stephanie, Nathalie,
Caroline and Vincent. That film played out like a morality
tale but lacked a nugget of truth or two the audience could
walk away with. But this time around, rather than stuffing
a message down our throats, Boisvert's script opts to get
opinionated - even if it's not something that's not comforting
for the soul. While not perfect, Guys, Girls and a Jerk
is a big step in the right direction and a rare instance where
a sequel outshines its predecessor.
©Movie
Views; July 17, 2003
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Diana Lewis |
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|
Simon Boisvert |
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|
Simon Boisvert |
| Caroline
Brabant |
|
Erwin Weche |
| Paul
Ahmarani |
|
Diana Lewis |
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| 2003 |
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| Canada |
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| 84
minutes |
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