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For
whatever reason, rumor has it that Frank Capra's seminal Christmas
favourite It's a Wonderful Life came and went with
little excitement. Certainly not the hit you'd expect from
a film that has since gone on to become not only a holiday
classic, but a classic amongst all American film history.
Reaching to the core of the human spirit and remaining genuine
throughout, It's a Wonderful Life may come off as a
little strong considering it's on seemingly every time you
sit down to do some channel surfing in the cold months of
December, but it's still deserving of one viewing per year,
preferably without the interruption of commercials.
George
Bailey (James Stewart) is a noble man. An adventurer at heart
wishing to trek to all parts of the world, he becomes a slave
of sacrifice to the family's business, the Bailey Building
and Loan. When he was but a wee lad, George lost his hearing
in one ear after saving his younger brother Harry from frigid
ice water. Then just as he was about to leave Bedford Falls,
the place of his small-town upbringing, to travel, his father
is striken with a stroke and George is left to tend to the
family business. Again and again George's plans and dreams
of leaving are thwarted with circumstance after circumstance.
Finally, married with four children and no exit ticket in
sight, George gives up. In a Christmas Eve outburst where
all seems hopeless, he sets out to kill himself. An angel
sans wings named Clarence (Henry Travers) is sent down to
help George see that he is an invaluable member of Bedford
Falls, and in turn Clarence can earn his wings. The plan is
something similar to what happened to Scrooge in Charles Dickens'
A Christmas Carol. Through spiritual means, George
is transported to a world in which he'd never been born. People's
lives were forever changed, mostly for the worse, because
he was never there to help them. Bedford Falls had long since
been taken over by the rich and miserly Mr. Potter (Lionel
Barrymore). Others had died because others still did not live
as long. Through all of his sacrifices, George helped many
people over the years and the cascading domino effect helped
even more.
It's
a Wonderful Life gets you because it is so sincere. George
does all the things that are right in a moral sense, yet you
see why he does it. He has a genuinely big heart, even though
every time he shows it he is hurt in the long run. Perhaps
he is the perfect human being. But he can only exist in the
movies and comes through in the eyes and spirit of Stewart.
He carries himself with confidence and charm. Whether it's
while he's trading verbal jabs with Potter or wooing his beloved
Mary (Donna Reed), I couldn't help but wish that I was anywhere
close to as good a person as George.
The
first few times I saw It's a Wonderful Life was on
television. While I liked it, it came off as a little on the
longish side. Scenes felt disjointed and the pacing lagged.
Then I saw it on video and it was a totally different movie.
Suddenly, the three-hour television event was held to not
much more than two. A sense of pacing emerged and I got wrapped
up in all of the characters. Finally, I felt even more for
George. This is where It's a Wonderful Life went from
a really good film to a classic for me. It might be easier
to flip it on the television, but it's not the same film by
any means. Although you might have seen it many times on the
TV, make an extra effort to track down an uninterrupted video
or DVD. It's not hard and well worth it.
©Movie
Views; December 23, 2003
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|
|
 |
| Frank
Capra |
 |
| Frances
Goodrich |
|
Albert Hackett |
| Frank
Capra |
 |
|
James Stewart |
| Donna
Reed |
|
Lionel Barrymore |
|
Thomas Mitchell |
| Henry
Travers |
 |
| 1946 |
 |
| USA |
 |
| 130
minutes |
| |
|