Employing the same sort of smarts and gadgety resourcefulness that made its viral campaign so delicious and intriguing, Cloverfield brings chaos and terror in one of the most memorable American monster films in some time.

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Another bizarre and beautiful excursion courtesy of one of Hollywood's most creative minds.

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Pulls out all the stops in hitting all the familiarities of the trademark [princess] genre and spins it on its head in both a fun and intelligent way.

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Because it touches on the universal themes of loss and love so honestly, it is a film that feels authentic even in its many contrivances.

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Bee Movie is a solid mix of comforting gags, clever language and a meandering plot that doesn't seem to have enough gas to stretch out into a full feature.

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Thank goodness that experiment in appeasing the commercial suit types is over and the quirky brothers are back to form with No Country for Old Men, a dark and violent exploration of nature's hunt and the relevance of time.

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Shrinking him and his cronies down into Fisher Price Little People, Bush rules the school much like he does America – with a lot of help from his friends and direction from his papa. The result is a satirical and juvenile look at a America’s dim-witted yet strong-willed leader – literally.

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Into the Wild is a film to meditate on. It’s long, it’s not particularly fast moving but it struck me in a carnal fashion.

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"Cute and cuddly" pretty much sums up this canine caper - once you get past the idea of a lady looking to make a coat out of dalmatian puppies.

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Robert Zemeckis’ take on Beowulf is a marvel visually but eye-popping effects are still no challenge for good old-fashioned human emotion.

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Harrison Ford and Tommy Lee Jones may have updated The Fugitive for modern times as a thrilling film with a bigger train wreck, but there’s nothing like the original.

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